All the oil paintings of John Constable

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ID	Image	Painting(From A to Z)	Details
32977		The edge of a heath by moonlight	mk82 c.1810
33110		The edge of a Heath by moonlight	mk82 oil on paper laid on canvas 15x25.7cm
48619		The Flower Garden at East Bergholt House,Essex	mk190 1815
437		The Glebe Farm	1835 Tate Gallery, London
33175		The Glebe Farm	mk82 c.1830 oil on canvas 59.7x78.1
33176		The Glebe Farm	mk82 1830 oil on canvas 49x62
38583		The Grove,or the Admiral-s House Hampstead	mk138 1821/22 Oil on canvas 60x50cm
32999		The hay wain	mk82 1821 oil on canvas 130.2x185.4cm National Gallery, London
33922		The Hay Wain	mk87 1821 Oil on canvas 130.5x185.5cm London,Nationa Gallery
54520		The Hay Wain	mk235 1821 Oil on canvas 130.2x185.4cm
56190		the hay wain	mk247 1821,oil on canvas,51.375x73 in,130.5x185.5 cm,national gallery ,london,uk
21437		The Hay Wain (mk09)	1821 Oil on canvas,130.5 x 185.5 cm London,National Gallery
43316		The Hay-Wain	mk170 1821 Oil on canvas 130.2x185.4cm
42757		The jumping horse	MK169 1824-24 oil Paint on cloth 142x187cm
48618		The Kitchen Garden at East Bergholt House,Essex	mk190 1815
32997		The leaping horse	mk82 1825 oil on canvas 142x187.3cm
38755		The Leaping Horse	mk141 1825 The Royal Academy of Arts,London
32986		The Lock	mk82 1824 oil on canvas 142.2x120.7cm
23276		The Lock (nn03)	c 1824 Oil on canvas 142 x 120 cm 56 x 47 1/2 in Fundacion Coleccion Thyssen-Bornemisza Madrid
32842		The Mill Stream	mk81 c.1810
32998		The Opening of Wateloo Bridge	mk82 c.1832 oil on canvas 130.8x218cm
40675		The Opening of Waterloo Bridge	mk156 1932 Oil on canvas 130.8x218cm
33001		The path to the church	mk1821 oil on canvas 91.4x72.4cm
33104		The Quarters behind Alresford Hall	mk82 1816
32968		The Quarters'behind Alresford Hall	mk82 1816
33126		The Quarters'behind Alresford Hall	mk82 1816
33111		The Stour 27 September 1810	mk82 oil on canvas 23.8x23.5cm
33121		The Stour Valley and Dedham Village	mk82 5 September 1814 oil on canvas 39.4x55.9
44235		The Stour-Valley with the Church of Dedham	1814 Oil on canvas, 55,5 x 77,8 cm
32956		The Vale of Dedham	mk82 1827-28
33169		The Vale of Dedham	mk82 1827-28 oil on canvas 145x122
436		The Valley Farm	1835 Tate Gallery, London
33924		The Valley Farm	mk87 1835 Oil on canvas 147.3x125cm London,Tate Gallery
21439		The Valley Farm (mk09)	1835 Oil on canvas,147.3 x 125 cm London,Tate Gallery
32961		The Valley of the Stour at Sunset 31 October 1812	mk82
33117		The Valley of the Stour at sunset 31 October1812	mk82 oil on canvas 11.7x28.4cm
33113		The Village fair,East Bergholt 1811	mk82 oil on canvas 17.2x35.5cm
32949		The wheatfield	mk82 1816
32982		The wheatfield	mk82 1816
33124		The wheatfield	mk82 1816 oil on canvas 53.7x77.2cm
53881		The white hasten	mk234 probably 1819 130x188cm
31837		The White horse	mk76 Dated 1819 Oil on canvas 51 3/4x74 1/8in
21299		The White Horse (mk09)	1819 OIl on canvas,131.4 x 188.3 cm New York,The Frick Collection
32996		THe WHite hose	mk82 1819 oil on canvas 131.5x188.3cm
48670		Unknown work	mk191 1827 Oil on canvas 127x183cm
48671		Unknown work	mk191 Oil on canvas 1827 127x183cm
32962		View from Hampstead Heath	mk82 looking toward Harrow August 1821
33134		View from Hampstead Heath,Looking towards Harrow August 1821	mk82 oil on paper laid on canvas 25x29.8
33133		View from Hampstead Heath,Looking West	mk82 14 July 1821
38757		View in Garden at Hampstead,with a Red House beyond	mk141 1821 Oil on canvas
38763		View into a Garden in Hampstead with a Red House beyond	mk141 1821 Oil on canvas 35.5x30.5cm
98467		View of Highgate	1st quarter of 19th century Medium oil on canvas Dimensions 24 x 29,5 cm
48603		View of Malvern Hall,Warwickshire	mk190 1809
20837		View of Salisbury (mk05)	Canvas ,14 1/4 x 20 1/2''(36 x 52 cm)Bequeathed in 1952 R.F 1952-25
30681		View of Salisbury Cathedral Grounds from the Bishop's House	mk68 Oil on canvas London, Victoria and Albert Museum 1823 Britain
48604		View of the grounds of Wivenhoe Park,Essex	mk190 1816 the Seat of Major-General
32992		View on the Stour,Dedham Church in the distance	mk82 c.1832-36
33180		View on the Stour,Dedham Church in the distance	mk82 c.1832-36
32945		View towards the rectory	mk82 East Bergholt30September 1810
32957		View towards the rectory	mk82 East Bergholt 30 September 1810
33112		View towards the rectory,East Bergholt 30 September 1810	mk82 oil on canvas laid on panel 15.6x24.8cm
33004		Water-meadow near Salisbury	mk82 1829 Oil on canvas 45.7x55.3cm
33144		West End Field,Hampstead,noon	mk82 c.1821-22 oil on canvas 33.2x52.4cm
32953		West End Fields,Hampstead,noon	mk82 c.1821-22
33011		West End Fields,Hampstead,noon	mk82 c.1821-22
33182		West End Fields,Hanpstend,noon	mk82 c.1821-22
32951		Weymouth Bay	mk82 c.1819/1830
33129		Weymouth Bay	mk82 c.1819/1830
33181		Weymouth Bay	mk82 c.1819/1830
33920		Weymouth Bay	mk87 c.1816 Oil on canvas 53x75cm London,National Gallery
98475		Weymouth Bay	1816(1816) Medium oil on canvas Dimensions 53,3 x 75 cm
21434		Weymouth Bay (mk09)	c.1816 Oil on canvas,53 x 75 cm London,National Gallery
43314		Weymouth Bay Bowleaze Cove and Jordan Hill	mk170 1816-1817 Oil on canvas 53.3x74.9cm
44244		Weymouth Bay, with Jordan Hill	1816 Oil on canvas, 53 x 75 cm
438		Whitehall Stairs on June 18, 1817	1832
32973		Windermere	mk82 1806
33107		Windermere	mk82 1806 Watercolour and very faint pencil 20.2x37.8cm
58415		Wivenhoe Park	Wivenhoe Park, 1816
89537		Wivenhoe Park	1816(1816) Medium oil on canvas Dimensions 56,1 x 101,2 cm cyf
456		Wivenhoe Park, Essex	1816 National Gallery of Art, Washington DC
85329		Wivenhoe Park, Essex, Wohnsitz des Major-Generals Rebow	Date 1816(1816) Medium Oil on canvas Dimensions 56,1 x 101,2 cm cjr
91127		Wolken-Studie	1822(1822) Medium oil on paper Dimensions 37 x 49 cm cyf
87066		Yarmouth Pier	Oil on Canvas. 12 x 20 in (30.5 x 50.8 cm). Date 1822(1822) cyf
88999		Zirruswolken	1821-1822 Medium Oil on paper Dimensions 11,4 x 17,8 cm cjr

John Constable
1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy